Portrait Courtesy of Randall Scott

Portrait Courtesy of Randall Scott


Award-winning documentary artist and photographer Matthew Cicanese explores the intersection of art, science, and the visceral sense of childlike wonder that the natural world evokes in humans. Matthew’s work examines “ecological underdogs”, threatened ecosystems, and human interactions with the environment. His recent expeditions include travels to Iceland, the Southern Appalachians, Sri Lanka, British Columbia, and Ecuador. A National Geographic Explorer, Matthew is also an Associate Fellow with the International League of Conservation Photographers (iLCP) and an educator, writer, & workshop instructor with Canon USA. He was a finalist in the Atkins CIWEM 2015 Environmental Photographer of the Year awards, and has displayed art in solo and group exhibitions, including London’s Royal Geographical Society. His work has been featured in esteemed publications including PDN, BBC Earth, and New Scientist.


*CV available upon request.

Artistic Methodology

My process in creating photographic art that examines Earth’s “Underdog Organisms” and the microcosms they call home stems from the visceral excitement we feel as children when we discover new things. When producing fine-art macro photographs, I peer through my camera’s viewfinder and enter worlds that can fit in the palm of my hand. Through this portal I experience dream-like scenes that unravel before me. I watch as residents the size of a pin prick slip into and out of existence – and freeze moments in time through macro photographs. When a life form’s essence is preserved in pixels to share with the world, then the journey has only just begun.

My ultimate goal as a documentary artist and conservationist is to instill in humans the desire to slow down… get low to the Earth… look closer… and observe. It is here that they will discover worlds they have never imagined right beneath their noses. If they can find just one of these worlds, and experience that sense of childlike wonder through discovery of something entirely new, then maybe their visceral connection to Earth can be reborn.

The mediums of my work adapt to fit each audience depending on the venue, goals, and projected outcomes. Large format prints, experimental art (gigapixel macro images), soundscapes, and immersive virtual reality content are just a few ways that I present my work. I believe this flexibility in form creates engaging experiences in any environment – from gallery walls to science textbooks.

 Photograph courtesy of Beth Reynolds (Morean Arts Center).

Photograph courtesy of Beth Reynolds (Morean Arts Center).


2018 – Named an Associate Fellow of the iLCP (International League of Conservation Photographers)
2018 – Selected as one of PDN's 30 2018, new & emerging photographers to watch
2017 – Commended Image, Oasis Magazine Award, Oasis Photo Contest (Italy)
2016 – Semi-finalist, Nature's Best Photography Windland Smith Rice International Awards
2016 – Finalist (disqualified from technicality), Sony World Photography Awards
2016 – Semi-finalist, BBC's Wildlife Photographer of the Year, rising star portfolio
2015 – Honorable Mention, International Photography Awards (non-professional portfolio)
2015 – Finalist, Environmental Photographer of the Year Awards
2014 – Second Place, Duke University's Mahato Memorial Photo & Image Contest
2014 – Semi-finalist, Russia’s International Golden Turtle Awards for Wildlife Photography

Gallery Exhibitions

2018 – Fresh Squeezed 2, Morean Arts Center (St. Petersburg, FL, USA)
2017 – Wanderlust, Light Grey Art Lab (Minneapolis, MN, USA)
2017 – Camouflage, Light Grey Art Lab (Minneapolis, MN, USA)
2016 – Botanica, Light Grey Art Lab (Minneapolis, MN, USA)
2015 – Environmental Photographer of the Year, Royal Geographical Society (London, UK)
2014 – Mahato Memorial Gallery, Duke University (Durham, NC, USA)
2013 – Home, Louise Jones Brown Gallery, Duke University (Durham, NC, USA)
2010 – Study Abroad Exhibition (Italy), Melvin Art Gallery, Florida Southern College (Lakeland, FL, USA)

Clients, Partners, & Affiliates

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What gear do you shoot with?

The gear I shoot with really depends on each project and what calls for creating the best image. My primary setup is:

– Canon 5Ds R & Canon 7D Mark ii
– Canon 100mm Macro f-2.8 L Lens
– Canon MP-E 65mm 1-5x Macro Lens
– Canon MT-24EX Twin Lites (macro flash)
– Canon 16-35mm f-2.8L II
– Canon 70-300mm L
– Fuji X100F

How did you get involved with National Geographic?

I first got involved with National Geographic when I was an intern for the National Geographic Big Cats Initiative while attending Duke for my MFA, and then went on to apply for (and receive) one of their explorer grants – which has led to my work in Iceland, Sri Lanka, and other projects. To learn more about National Geographic's grant program, click here.

I want to learn from you! Do you offer workshops?

Yes! Click here to learn about them.

Speaking engagements... How can I book you?

Click here to learn more and book me.

How can I get started in macro photography?

Many point-and-shoot cameras have a "macro mode" that will allow the standard lens to focus on closer subjects. That's a great way to get your feet wet with macro photography if you're just starting out. Another great way is to buy a close-up filter kit depending on the size of your lens filter. If you're feeling ambitious, get a reversing ring for your lens to use your lens backwards, and you'll be able to get super close without necessarily purchasing a dedicated macro lens. 

Which macro lens should I buy?

I've worked my way up to professional top-quality glass over a long period of time. The question of "which macro lens should I buy" is going to come down to a couple of basic factors... your goals, and your budget.

Start with your goals – what kind of macro subjects are you going to be photographing? If you're mostly shooting flowers and other non-animal subjects, then you can go with a shorter focal length (like 50mm or 65mm). If you're going to be shooting skiddish insects like dragonflies and butterflies, then looking into a 90mm or 120+mm lens may be a good option.

I mostly shoot with a 100mm length macro lens, and use my knowledge of animal behavior to determine how quickly/slowly to move in for the shot. In any case, I would always recommend renting before buying (or test out a friend's macro lens). If you feel safe about it, buying locally used (off of Craig's List or Facebook) is a great option as long as you know the gear is in good shape. 

What's your next project/expedition/workshop/book?

There's always a lot going on – whether a conference, fieldwork, or workshop! To get the inside scoop on the latest happenings with me, just sign up for my quarterly email by clicking here!

I'm a college student / recent graduate... do you offer internships/mentorships?

At this time, I do not. If the opportunity for that arises I will create a dedicated page on my site, as well as make it known to those who subscribe to my email updates or follow me on social media. To subscribe for updates about this, click here.